Finding God in The Lord of the Rings

Any fan of Tolkien who has read The Silmarillion knows without a doubt that the story is a mythical retelling of the biblical Creation and Fall. Less apparent is the existence of Christian theology within The Lord of the Rings. Most people today are more familiar with the movies than with the books. While the movies did a fair job of bringing Tolkien’s work to the big screen, fans of the movies are often hard-pressed to recognize the Christian truths hidden there. This article is meant to identify some of those truths and hopefully help you understand a little more about the God behind the myth.

Myth, as Tolkien understood it, was more about reality than is journalism. Both Tolkien and C.S. Lewis believed that a regular reading of The London Times would make a person lose sight of reality. They believed that if one would truly understand reality, he should first understand myth.

Christ

One of the biggest arguments against the idea that Christian truths are inherent in The Lord of the Rings is the fact that there is no central Christ figure, nor a central God figure. Yet Tolkien himself said, "Of course God is present in the stories. He the one who is always present and never named."

Tolkien did include many symbolisms of the Persons of the Trinity. The best picture of Christ can be found in three central characters: Gandalf, Frodo, and Aragorn. Each of these characters embodies one part of the threefold nature of Christ: prophet, priest, and king.

As prophet, Gandalf helps the others understand the path they must walk. He guides people, he sees things that others do not, and he acts as a servant to the people. His greatest virtue is pity; his greatest act is self-sacrifice.

"I will raise up for them a prophet like you from
among their brothers; I will put my words in his mouth, and he will tell them everything I command him. If anyone does not listen to my words that the prophet speaks in my name, I myself will call him to account." (Deuteronomy 18:18-19)

As priest, Frodo is the image of the suffering servant. Out of his love for the Shire (representing Christ’s love for the world), he carries a burden to the heart of hell. As Jesus carried our sins to the cross, so Frodo carries the Ring—the embodiment of sin—to its destruction.

Every high priest is selected from among men and is appointed to represent them in matters related to God, to offer gifts and sacrifices for sins. (Hebrews 5:1)

Only the high priest entered the inner room, and that only once a year, and never without blood, wich he offered for himself and for the sins the people had committed in ignorance.
(Hebrews 9:7)

As king, Aragorn is a strong Christ motif. He had the kingly pedigree, as did Christ. He embarks on a quest to win Arwen’s hand, as Christ’s goal was to win the Church as His bride. He is a healer—only in the coming of Aragorn does any hope exist for the healing of Faramir, Eöwyn, and the entire city after the final battle. His greatest virtue is humility, which is most apparent when he is about to be crowned. He gives his crown back to Faramir to give to Frodo to give to Gandalf to place on his head, thus giving glory to those who helped him.

"Blessed is the king who comes in the name of the Lord! Peace in heaven and glory in the highest!" (Luke 19:38)

Sin

The Ring is the embodiment of evil. Elrond says as much at the council in Rivendell: "We cannot use the Ring … it is altogether evil."

Tolkien took the concept that sin is destructive and displayed this in the effects that the Ring has on the one who carries it. Over time, the Ring had totally corrupted Smeagol (Gollum). Its power gradually overcomes Frodo, who nearly succumbs to destruction at the very end.

In Tolkien’s mind, there is no way to use a tool of the enemy without ultimately becoming like the enemy. That is why characters like Aragorn and Galadriel would not dare to take the Ring from Frodo. They knew the Ring’s power would corrupt them. As Tolkien once said, "Any use of the devices of the enemy, even for good ends, is the idea of the Ring."

Don’t you know that when you offer yourselves to someone to obey him as slaves, you are slaves to the one whom you obey—whether you are slaves to sin, which leads to death, or to obedience, which leads to righteousness? (Romans 6:16)

For sin, seizing the opportunity afforded by the commandment, deceived me, and through the commandment put me to death. (Romans 7:11)

The True Hero

To me, Sam is the true hero of the story. His role is like that of the beloved disciple, and yet he can also be seen as another Christ figure. When Frodo can go no further, Sam takes Frodo upon his own shoulders and carries him the last steps of their quest. The weaker Frodo becomes, the stronger Sam becomes.

But God chose the foolish things of the world to shame the wise; God chose the weak things of the world to shame the strong. (1 Corinthians 1:27)

That is why, for Christ’s sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. (2 Corinthians 12:10)

Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION ¨. NIV¨. COPYRIGHT © 1973, 1978, 1984 by International Bible Society¨. Used by permission. All rights reserved worldwide.

Creative Beings

Mankind is unique among the creatures of the earth. We are creative beings: we build, we draw, we paint, we write. And why wouldn’t we? We are made in the image of the ultimate Creative Being.

God thought up wondrous things and spoke them into being. On this planet we see a great variety of flowers, birds, fish, mammals, and more. The variety of life forms on earth were limited only by God’s imagination.

So we too, as creative beings, are limited only by our imagination. Nowhere is this more evident than in the writings of fantasy authors. Within the pages of fantasy we find elves and oliphants, dwarves and dragons, boggarts and balrogs, fauns and fairies, and even more fantastical but less-known creatures, all spawned by the imagination of the author.

This brings me to a question. If we write about creatures that exist only in our imaginations, does that make our writings any less valuable than true-to-life novels? If your answer is "Yes," I am interested in hearing your reasons.

I would also like to pose a scenario. Think about the sea creatures and birds that God created on the fifth day. Come the morning of the sixth day, they woke up to find some new creatures walking around on land. This was unheard of the day before! I can just imagine the birds saying, "The only creatures on earth are those that swim in the sea or fly in the air. What are these things walking around on four legs on the land? These are fantastical creatures indeed!"

And yet, God’s imagination had only begun expressing itself. His crowning creation—man—was yet to rise from the dust. "What now is this?" the birds ask. "What is this thing walking around on two legs, with no feathers and no fur? What? He is to rule over us? How can this be? He wasn’t created on the fifth day. He isn’t one of us."

I hope you agree that this sounds quite ridiculous. God did not intend to stop creating when evening fell on the fifth day. I wonder how many different, "fantastical" beings He might have created if He did not stop after day six.

The fact is that He did choose to stop there. But He has placed His creative spirit within each of us, and we carry on the business of creating in innumerable ways.

Writers of fantasy step outside the borders of what is considered normal. They dream up beings and worlds and physical forces that do not exist in this world at this time. But who is to say that such beings, worlds, and forces will not exist at some time in the future? Perhaps on the "sixth day" of our future, we will see things we did not expect.